UME + This City of Takers @ The Firebird 3/23

It’s 2014. Is carbon fiber more bad-ass than metal? Asking for a friend.

UME's Lauren, whose hair should have top billing.

UME’s Lauren, whose hair should have top billing. Click on this shizz, it’s a .gif!

Austin’s UME achieved high honors on a Sunday night at The Firebird: audience members threw devil horns! Granted, my show going trends toward mellow/sad bastard/chamber pop, but I’ve been to some loud shows and yet, I’ve never before noticed anyone spontaneously, unironically and enthusiastically throwing horns at a club show. I know, sucks to be me, but at least I have this one.

UME

UME

Ume barreled through the first few songs, drawing heavily from their new album, Monuments, whirling and thrashing, but then they slooooowed it way down. When the first strains of “Hurricane” ( from 2005′s debut album, Urgent Sea) started, a couple who’d been sitting on a bench hooted, jumped up and ran toward the stage. The Karen O-ey shoe-gaze-y goodness was raw and bloody. And the lyrics!

I unleash
like a hurricane
raging
please stay safe in my eye
when I pull you like the tides
closer and then far far out
oh I proclaim
her hurricane
hurts the same

Oof! The first pair of devil horns were thrown, and the dude throwin’ didn’t stop drinking his beer as his hand went up.

This is Ume’s third pass through St. Louis (first two times for LouFest in 2011 and then a show at the Firebird three months later, unfortunately during the world series) [CORRECTION: UME has also played Cicero's, Euclid Records, Firebird in 2013 with ...Trail of the Dead, Pops with Foals and Cage the Elephant, and Vintage Vinyl in store on this Sunday afternoon. Wow, when I'm wrong, I'm really wrong! Thanks to Jim Utz in the comments!].  In its pop rockier moments, they are way more Cardigans or Metric than Evanescence, and when they are crawling through the trenches of hard rock and soft metal, it is singular bliss.

Ume performed a Sunday night baptism of lady-fronted cock rock: guitar wailing, hair banging heavy metal moves, and a completely bitchin’ drummer. Their short, no-encore set was timed just right to wrap up by 10:30 so revelers would still be fresh for Monday morning’s grind.

——-

This City of Takers three-piece rock and roll band on stage.

St. Louis’ This City of Takers

Local openers This City of Takers took the stage promptly at eight and set the tone for the night with their jangly indie rock (and some light metal moves of their own). Do yourself a solid and download their Bandcamp album, because they are entirely worthy. I’d never heard (of) them before last night, but I look forward to catching them again.

Aside: I had a little bit of nervousness about this show going into it. After watching Marnie Stern get all kinds of weird catcalling and inappropriate comments, I was steeling myself for more of the same. Between the opener and Ume, three of the seven people on stage last night were women. Maybe it was because of the small crowd (harder to blame your creepiness on someone else that way), but no objectifying weirdness happened at all. It was refreshing and restorative and I’m not taking it for granted.

 

 

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About Julie Dill

Julie Dill loves the city of St. Louis, clever noise, and feelings. Even more than these things, she loves people who also shamelessly love these things. On top of live show reviews, she also writes lots and lots of tweets while she avoids her three book projects, each of which already has a killer soundtrack.

March 24. 2014 by Julie Dill
Categories: Show Review | Tags: , , , , | 2 comments

Comments (2)

  1. avatar

    Great recap, show was awesome.

    Small correction from an Ume nerd, they’ve performed a few more times in StL. In addition to the three shows you mentioned they also played:

    Cicero’s 10/2010
    Euclid Records 10/2011
    Firebird 7/2013 (with Trail of Dead)
    Pops 12/2013 (with Foals and Cage The Elephant)
    Vintage Vinyl 3/2014

  2. avatar

    Ooh, thanks Jim! Correction added to the text.

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